New York–based Trinidadian guitarist Marvin Dolly surprises on this debut album, Shades of Life, with a quiet contemplation of trio-playing featuring just guitar, bass, and trumpet. In an intimate setting devoid of the thump of the drum, the soloists each have room to speak clearly and emotively in this conversation among acoustic instruments. Dolly, along with J.S. Williams on trumpet and John Gray on double bass, mainly, cruises through this set of subdued jazz tunes that harken back to the cool jazz ambience of 1950s West Coast America, contrasting with the bebop bombast of New York of the same era. The music, thankfully, does not wallow in the excess of a similar-sounding ambient lounge or minimalist new-age aesthetic. Dolly’s guitar finds its full voice on the tracks “Calypsonian Dream” and “Short Letters to Mother”, solo and duet guitar pieces, respectively, that make a solid opening gambit for a Caribbean instrumentalist’s voice in the diaspora.
Sabiduría/Wisdom Eddie Palmieri
The Caribbean is a trans-nation of expanded and connected diasporas. Puerto Rican heritage extends beyond its island space to include its famous diaspora citizens. Bronx-born Eddie Palmieri is a legendary Latin jazz pianist, who at the age of eighty may have delivered one of the most sonically and musically endearing albums in his career. Not that he “finally got the formula right,” but with those years of experience as a bandleader, composer, and arranger, and the “wisdom” — sabiduría in Spanish — that comes with that experience, Palmieri can pull together some of the finest talent, young and old, in jazz and salsa/Latin music to successfully and pleasingly blend the Afro-Caribbean rhythms of his Puerto Rican island “home” with the harmonically complex sounds of mainland jazz and bebop. The album also extends the fusion to include bossa nova on “Samba Do Suenho” and Cuban son on “Coast to Coast”.