Friday, 5 August 2022

Island Jazz Chat: Episode 10 - Cameron Pierre

Guitarist Cameron Pierre has come full circle returning to his native Dominica after a multi-decade recording and performing career in the UK. After establishing an important Caribbean jazz presence there, with six albums produced, he reflects on the journey to this point. Beginning in the reggae scene here in the islands and into the UK, his evolution towards jazz through the 1980s and beyond traces a parallel development of how the Caribbean musical DNA has influenced the society there. Photo by Jonathan Trotman.

  • Programme Date: 5 August 2022
  • Programme Length: 01:26:58

Thursday, 28 July 2022

Island Jazz Chat: Episode 9 - Theron Shaw

Reticent. Diffident. Two words to describe the personality of guitarist Theron Shaw of Trinidad and Tobago. Another pair of apt adjectives would be determined and inventive. In a revealing conversation, we get into what made Shaw the popular choice for the islands' premier jazz guitarist. Three acclaimed albums, years of touring and working at defining for a new generation what the essence of kaisojazz is and can be for that demographic are hallmarks that are explored and revealed.

  • Programme Date: 28 July 2022
  • Programme Length: 01:20:25

Friday, 22 July 2022

Island Jazz Chat: Episode 8 - Clifford Charles

Trinidadian guitarist Clifford Charles describes his music as "smooth soca jazz." Grounded in the sounds and language of Trinidad, his liking for transforming the music of Carnival, the popular sound of Trinidad, into a contemporary jazz idiom sets him apart from other Caribbean jazz guitarists. With 5 albums under his belt, and counting, since 2004, this fan favourite prepares for a new path in life as he will have the time to make the familiar new again, with a vibe that says Caribbean smooth. Clifford Charles talks about his life, his music, his recording career, the future.

  • Programme Date: 20 July, 2022
  • Programme Length: 00:45:29

Tuesday, 14 June 2022

Island Jazz Chat - Episode 7: John Arnold

John Arnold is the pioneering musician, recording artist and jazz festival coordinator on the island of Tobago. As a recording artist, he has helmed half a dozen albums that play with the idea of Caribbean jazz as original music, including his latest, Jazz Standards in the Tambrin Sauce, which incorporates the Tobago-native tambrin drum family. This family of frame drums adds a unique colour and sonic identification to the music that begins a new vision to flavour improvised jazz with the sounds and rhythms of the Caribbean. As a jazz festival coordinator, he is responsible for the Tobago Jazz Experience that celebrated a decade of performances just before the pandemic began with some of the biggest stars in the jazz festival pantheon, and positions Tobago as a leader on the sustained Caribbean jazz festival circuit. Audio courtesy

  • Programme Date: 14 June 2022
  • Programme Length: 01:13:32

Thursday, 10 February 2022

Kitch @100: A Caribbean Jazz Perspective

2022 marks the 100th anniversary of the birth of famous calypsonian, Lord Kitchener (Aldywn Roberts). This iconic calypsonian added expanded harmony to the language of calypso — along with double entendre lyrics — with his compositions becoming favourites among calypso jazz musicians. Listen to a Deezer playlist of some musicians who have engaged with the Grandmaster's music. Kaiso, kaiso!

Thursday, 6 January 2022

Clive ‘Zanda’ Alexander (1939 – 2022) — a Tribute²

clive zanda albums

Listen Here:

OR Read here:

An edited version of this article appeared in the Trinidad and Tobago Newsday on 11 January 2022 as "Zanda’s legacy for the ages"

Six days into 2022, and we as a nation have lost two calypsonians of different generations who added to the canon at opposite ends of the season, one founding man-of-words who gave the rapso movement flight and permanence, and now this. Clive ‘Zanda’ Alexander passed early this morning, and with his passing, our music universe here in T&T got significantly smaller. Not necessarily because his recorded output would salvage the otherwise discarded memories of our islands’ music heritage, but because his passing signals a deflation of the idea that our creative industries will save us from the hell that is a post-COVID recovery. Zanda represented legacy, which in these isles is abandoned like a costume on Carnival Tuesday or a soca tune from a year before.

Saturday, 1 January 2022

Playlist (January/February 2022) | Music reviewsª

Jazz Standards in the Tambrin Sauce John Arnold


The tambrin drum — a kind of frame drum similar to the Irish bodhrán and the Brazilian pandeiro — is indigenous to Tobago, and acts as that island’s sonic identification, as does the steelpan for Trinidad. On this new album, Tobago-born musician and keeper of the cultural flame, John Arnold, seeks a rhythmic basis and bedrock for the tambrin drum family — the cutter, (high pitch); the roller, (rhythm); and the boom, (bass) — outside of the island’s traditional festival and ceremonial dances. Six popular jazz standards are performed here, to find a new interpretation of how songs can swing when imbued with rhythms born in the islands. The indigenous reel and jig beat is used to give “Fly Me to the Moon” the “feel of the folk style.” This kind of attempted amalgamation of genres and sounds has a presence in jazz, and this experiment in fusion has merit. The conversation between cultures — jazz and tambrin — expands the possibilities of world music.

Intra-I Theon Cross

(New Soil/Marathon)

Caribbean heritage remains strong in a newer generation of British-born musicians at the forward edge of recent jazz in the UK. Theon Cross — Jamaican dad and St Lucian mum — is a boundary-pushing tuba player who is evolving the role of that instrument, and critically, reinforcing the cultural legacy of the islands as a lynchpin for a modern jazz that moves away from the blues as the music’s foundation. With that knowledge and ancestry, he improvises and fuses jazz with dub, dancehall, soca, UK hip hop, grime, and “other sounds connected to the Afro-Caribbean diaspora.” Sound system culture exudes from the sonic profiles of the ten songs on this album. The extended Caribbean, beyond Windrush, brings island ideas to global audiences. While the tuba is not generally the first instrument one thinks of as a lead, Cross has found a way to move the sound and musicality beyond comedic artifice towards ethereal reinvention.


Love Has Found Its Way Tigana Thomas


In 1982, the Crown Prince of Reggae, the late Dennis Brown, released the lovers rock/R&B smooth groove, “Love Has Found Its Way”, to moderate success in the US and UK. The song has a staying power however, that proves you can’t keep a good song quiet. Guitarist Tigana Thomas from Trinidad explores the song’s potential to remain a danceable tune, whether falsetto vocals or full-bodied jazzy guitar strums take the lead. In this case, singer Jolene Romain sings the verse while Mya Scott sings the chorus refrain. The interplay between voice and guitar adds a layer of alternating sonic elements that are interesting enough to make this new cover of a classic song listenable beyond a few bars. The Caribbean “romantic getaway” aesthetic evoked by this recording reinforces a popular notion of what is sought after in these isles by tourists. If this song is part of the soundtrack of visitor engagement, that’s not a bad thing at all.


  1. These reviews appear in the January/February 2022 issue of Caribbean Beat Magazine.
© 2022, Nigel A. Campbell. All Rights Reserved.