Friday, 23 September 2022

Island Jazz Chat: Episode 14 - Chantal Esdelle

Trinidadian composer and educator Chantal Esdelle, a Berklee College of Music graduate, holds an important place among jazz musicians in the islands, as she is one of, if not the only female band leader who is a renowned pianist there. A multifaceted individual — performer, producer, promoter — who has, since 2000, released two albums as leader with her band Moyenne, and produced another pair of live compilation albums, all on her Ethnic Jazz Club label, Esdelle has put into the wider public domain, music guided by her understanding of the African experience in the Americas that challenges Caribbean people's notion of identity, and clarifies what it means to be a New World African. Her extensive pan-Caribbean music connections serve to define "ethnic jazz" as a new standard for engagement and exchange in jazz. She chats about being and doing.




Wednesday, 21 September 2022

Island Jazz Chat: Episode 13 - Andy Narell

Andy Narell, globe-trotting and pioneering steelpan jazz musician, composer and arranger chats about his beginnings in the world of steelpan in the 1960s, and the evolution of the sound that he is leading in the 2020s with a new sample library of steelpan instruments created by the legendary master tuner Ellie Mannette. And everything in between. From the West Coast of America to Trinidad to South Africa, to the French Antilles and Japan, the Narell sound and music is a standard for many on how the business of steelpan jazz performance and recording operates. Caribbean and Latin American rhythms, African pulses, post bop references all colour his music, and with a prolific output of recordings, steelpan jazz is part of the global jazz conversation Wed, 21 Sep 2022

  • Programme Date: 21 September 2022
  • Programme Length: 01:31:10

Thursday, 1 September 2022

Playlist (September/October 2022) | Music ReviewsÂȘ


Girl In The Yard  Joy Lapps

(Self released)

Joy Lapps Girl in the Yard cover
Steelpan music recordings are back. Toronto native of Antiguan descent Joy Lapps is providing a new engagement with the steelpan that is welcome after the dearth of new material for the instrument in the last few years. On this new album, her fifth since her recording career began in 2006, one hears the development of a broader palette and range of musical environments in which the steelpan is placed. One hears rhythms and sounds on these originals that are part of the multicultural milieu of her Toronto situation: metropolitan motifs mimicking a Caribbean presence, latent Latin American vibes, searing electric guitars, and sterling musicianship. One hears Andy Narell’s melodic template on “Josie’s Smile”, including cuatro and bottle and spoon in a vintage Caribbean soundscape; as a bonus, he solos here. Lapps’ presence as a female leader on a steelpan recording is rare, trendsetting and welcomed. Her story. Our joy.



  1. This review appears in the September/October 2022 issue of Caribbean Beat magazine.
© 2022, Nigel A. Campbell. All Rights Reserved.

Sunday, 28 August 2022

Island Jazz Chat: Episode 12 - Victor Provost

Victor Provost, from St John, USVI, has been variously described as a "rising steelpan master...whose refreshing melodic approach to soloing on the pan is wholly steeped in the jazz tradition," and "living proof of the nuance and versatility of the [steelpan]." In this chat, Victor discusses his beginnings, his influences and the practicality and privilege of "being in the right place at the right time" to develop both a performing and recording career that continues to build receptive audiences. Solo albums, collaborations and featured sideman duties over a two decade professional career are explored. Sun, 28 Aug 2022

  • Programme Date: 28 August 2022
  • Programme Length: 01:58:10

Wednesday, 10 August 2022

Island Jazz Chat: Episode 11 - Annise Hadeed

Panman, steelpan virtuoso, steeldrum musician. Just don't call Annise 'Halfers' Hadeed a "pannist". He is more than that! This important musician and recording artist from Trinidad and Tobago, now resident in the U.K., has been blazing a trail in the jazz scene there, as well as contributing significantly to the Caribbean presence there as an award winning steelband arranger. He made his recording debut in the 1980s with The Breakfast Band, and recorded, toured and performed widely in the U.K. & Europe, the US, and the Caribbean, as part of a new wave of Caribbean jazz talent, reinforcing the work of pioneer kaisojazz musicians like Clive Zanda and Russell Henderson, and moving the music forward with important collaborations that put the steelpan at the forefront of a new jazz aesthetic. 

  • Programme Date: 10 August 2022
  • Programme Length: 01:32:28

Friday, 5 August 2022

Island Jazz Chat: Episode 10 - Cameron Pierre

Guitarist Cameron Pierre has come full circle returning to his native Dominica after a multi-decade recording and performing career in the UK. After establishing an important Caribbean jazz presence there, with six albums produced, he reflects on the journey to this point. Beginning in the reggae scene here in the islands and into the UK, his evolution towards jazz through the 1980s and beyond traces a parallel development of how the Caribbean musical DNA has influenced the society there. Photo by Jonathan Trotman.

  • Programme Date: 5 August 2022
  • Programme Length: 01:26:58

Thursday, 28 July 2022

Island Jazz Chat: Episode 9 - Theron Shaw

Reticent. Diffident. Two words to describe the personality of guitarist Theron Shaw of Trinidad and Tobago. Another pair of apt adjectives would be determined and inventive. In a revealing conversation, we get into what made Shaw the popular choice for the islands' premier jazz guitarist. Three acclaimed albums, years of touring and working at defining for a new generation what the essence of kaisojazz is and can be for that demographic are hallmarks that are explored and revealed.

  • Programme Date: 28 July 2022
  • Programme Length: 01:20:25