The ninety minute show was a celebration of the film and musical theatre songs of the Gershwins (Embraceable You, Summertime, I’ve Got Rhythm), Cole Porter (Begin the Beguine, I’ve Got You Under My Skin), Andrew Lloyd-Webber (Half a Moment), as were Natalia’s takes of the show tunes from The Scarlet Pimpernel (Only Love) and Jeeves (Half a Moment) that allowed her to relax into a milieu that defined excellence. The show was also a nod to the style of “crossover classical” made popular by another diva, Sarah Brightman. The opening song, “Man of La Mancha (I, Don Quixote)” was dedicated to activist Dr Wayne Kublalsingh; maybe a subtle jab at his solitary determination and idealism against all odds, but an apt song choice with a message that was not missed by the small audience.
Showing posts with label Jeremy Chatoor. Show all posts
Showing posts with label Jeremy Chatoor. Show all posts
Friday, 17 October 2014
On a Lighter Note: a review¹
The ninety minute show was a celebration of the film and musical theatre songs of the Gershwins (Embraceable You, Summertime, I’ve Got Rhythm), Cole Porter (Begin the Beguine, I’ve Got You Under My Skin), Andrew Lloyd-Webber (Half a Moment), as were Natalia’s takes of the show tunes from The Scarlet Pimpernel (Only Love) and Jeeves (Half a Moment) that allowed her to relax into a milieu that defined excellence. The show was also a nod to the style of “crossover classical” made popular by another diva, Sarah Brightman. The opening song, “Man of La Mancha (I, Don Quixote)” was dedicated to activist Dr Wayne Kublalsingh; maybe a subtle jab at his solitary determination and idealism against all odds, but an apt song choice with a message that was not missed by the small audience.
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