Saturday, 25 June 2016

HomeGrown, an album by Dominant Seventh CalypsoJazz Band - a review¹


 In 2016, the idea of a calypso jazz band recording reminiscent of those pre-combo dance band records of the late 1950s to the early 1960s comes as a shock to the tendencies of modern local musicians to follow the faddishness of this new generation of music consumers. Trumpeter Rellon Brown along with his young Dominant Seventh CalypsoJazz Band, on their new CD HomeGrown, peel back the pomp and gloss of current tropes to resurrect the idea of creole dance band music. The music, recorded live in the studio, serves as a kind of instigator for moving hips and feet, and as a beacon of native pride in what worked and what did not.

Recently launched at a concert at the Little Carib Theatre, the album's fare runs the gamut of progressive post bop on Trackers to cloying songcraft on a cover of the Ralph MacDonald-written classic Just the Two of Us. The broad mix gives the impression that this debut its trying to be all things to all men. It certainly fulfils the ambition of showcasing local song writing and indigenous musicianship; Ralph MacDonald was the son of early Trinidadian calypsonian Macbeth the Great and identified with his heritage.